Last fall, I created a series of marbled patterns in collaboration with Galison. Today they bedeck a suite of stationery and desk accessories, now in stores. Thanks to the design team at Galison for transforming my work into these brilliant goods!
With spring now finally arrived, I've returned to my dyepots to create silk ribbons in natural shades complementing some of my favorite marbled patterns. It is nice to get back to dyeing! These suites of ribbon share subtle but harmonious shades drawn from nature, perfect to bedeck a bouquet or floral crown.
Bouquets and crowns having been much on my mind, as I'll be getting married in October myself! Plenty of time to search out my own perfect palette. I'll keep you apprised.
I've had a long winter developing new patterns and colorways, which have slowly been appearing in the shop. Besides the many ribbons, a new collection of marbled notecards is now available. These feature some of the patterns I'm most proud of! Available singly or in a set of six, the notecards are offset printed with soy- and vegetable-based inks on recycled paper. They're a good excuse to send a friend some springtime cheer.
Happy new year! As you might have noticed, there have been some changes around here. A new website, new blog, and a new shop design as well! Subscribers will need to update their RSS feeds to continue receiving posts, and there is now an option at right to receive blog posts by email if you prefer. Please bear with me as I continue to tweak things around here (links to previous content will be wonky), but do contact me if you have any trouble with the new site or shop.
I've also updated the shop with some spools of colorfully marbled ribbon; more to come in the next month!
For one special evening in December I'll be leading a Stationery Marbling Workshop at the beautiful studio of textile artist Maryanne Moodie. Join us in creating your own palette and patterns to bedeck a suite of notecards and gift tags!
Wednesday, December 2, 2015
6:30 - 9:00 pm
hosted by the Maryanne Moodie Studio in Brooklyn
The Mendocino Art Center will be holding a reception for their Natural Dye Showcase this Saturday, August 8, featuring a discussion with the artist and juror Yoshiko I. Wada. I am honored to have work included in the exhibition, and wish I could be there myself!
Natural Dye Showcase
August 3 - 28, 2015
Mendocino Art Center, Main Gallery
45200 Little Lake Street, Mendocino CA
Gallery Talk: Saturday, August 8th, 4:00
Opening Reception: Saturday, August 8th, 5:00-8:00
A number of new suminagashi marbled scarves are now available in the shop! Many of these received experimental techniques in their creation, resulting in an unusual array of form and line quality. The scarves are printed on a diaphanous silk/cotton blend, and some have been naturally dyed in subtle base tones. Each is a unique, permanent monoprint created by hand. Find them all here.
I found this second edition of the Rev. Henry N. Ellacombe'sThe Plant-Lore and Garden-Craft of Shakespeare, published in 1884, fallen to pieces at Mercer Street Books & Records. I took it home with me, immediately determined to design a new binding for it. Something to save it from further damage and do justice to this wonderful tome.
Admirers of Shakespeare may already be familiar with the Reverend Ellacombe's work, as well as the many other books on Shakespeare's use of gardens and wildflowers in his writing. The text can be read in its entirety here, and the beautifully illustrated third edition can be viewed here - as well as Ellacombe's argument for Shakespeare as an Angler.
The book was in lousy but not terrible shape when I acquired it. I purchased a french edition of Madame Bovary along with it, which is also destined for rebinding but turned out to be in somewhat poorer condition and is still awaiting my attention. I simply disassembled and re-sewed Ellacombe's work, and replaced the tattered pasted-on headbands with hand sewn silk ones. The very vast majority of my work went into the embroidered cover.
I laid out the cover in formal symmetry as a nod to the embroidered books gaining popularity during Shakespeare's time, as well as Elizabethan era garden design with its symmetric 'thick-pleached alleys.' Each quadrant depicts a plant prominent in Shakespeare's writing (and thus Ellacombe's) of particular symbolic meaning: honeysuckle, calendula, burdock, and rose, as well as a pansy on the spine.
The linen book cloth as well as embroidery threads and headbanding silk were each naturally dyed with plants foraged in upstate New York. These include oak and birch leaves, apple and cherry barks, and willow fronds.
A labor of love - especially the needle weaving.